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 | Imago Templi / 6.20 |
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The Number Ten, Harmony and the achievement of the complete state of ‘Being’.
With this paragraph we enter the 3rd Level of interpretation, that of Initiate Master Builder.
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| The Journey through the Great Work /3.2 |
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Ars Muratoria describes in detail the ‘geometry’ of a method and its instruments. These instruments hide the virtues of the Initiate’s Psyche in the allegory.
On the contrary of what we think, it is necessary to refuse and disown the exoteric isolation of the High ritual Chambers and to understand the invisible connections of the initiatory activities through which Esoteric Philosophy joins in the Scottish Pyramid the commitment of initiates of different levels and abilities.
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| The Journey through the Great Work /3.1 |
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Ars Muratoria describes in detail the ‘geometry’ of a method and its instruments. These instruments hide the virtues of the Initiate’s Psyche in the allegory.
When in the evolution of the Human Kingdom the air element of the thought got in contact with the fire element of the spirit, an aqueous and voluble element appeared in the lower levels of the mind; it still accompanies Personality up to its complete individualization. |
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 | Anamnesis of the inner reawakening |
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... I wonder if being an initiate represents the "sine qua non" condition... or isn't it enough to have a pure and simple love for knowledge, beyond any material interest.
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| Imago Templi / 6.19 |
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The Number Nine, perfection
The primitive Yod is supported by nine pillars. These nine pillars are placed in the nine directions of the world. They are placed in right lines, Three in each direction and one in the center. These three points placed as a square make nine, which are in actual fact eight. They are the thrones of the sacred Yod.
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 | Fragments of an Initiatory Reality - Presentation |
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| What really is esotericism? Are there more than one model? Presentation of the work. |
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 | Between East and West. Pain and inner growth |
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| Painful experiences can help revise our behaviors. If everything that hurts, grieves and scares us, therefore it repels us, than the escape from mistakes is a source of education.
In order to correct and educate ourselves we must develop intelligence and critical sense. |
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| Masonic religiosity - Part Two |
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| It is common opinion that the devotion of Freemasonry produced an initiatory anomaly that still exists in it. Indeed, it is not clear how an Institution considered ‘generated’ by the old mysterial System (see Mediterranean Mysteries) could mix abstract spirituality with an obvious religious romanticism; or how it could confuse the representations of an exterior cult with the inner principles of spiritual illumination |
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| Brotherhood and liberticide |
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| Dearest A., I won’t be present at your conferences!....But I absolutely cannot be present at a public conference that deals with those topics; or rather, at the conference organized by any other individual Brother, Lodge or Jurisdiction of my Obedience. In such a context, you will understand how the participation at a conference held by a Brother of ‘another’ (?????) Obedience is not even an option... |
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| From knowledge to mental liberation, stage 8 |
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| To accelerate events is a sign of inexperience; the inexperienced man plans to build the roof of his philosophic home before providing for steady foundations and solid walls. To know means to understand; it is therefore silly to think that we can penetrate the subtle dimension only with the help of reason. Since the mind lies to itself first of all, the first thing to do is to understand the dangers of illusion. |
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| Simply, what is esotericism |
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| "...I hope you won't laugh at my question: what exactly is esotericism?..." |
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| The lost Sacralization – Part 4 |
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| Big groups of profane culture unrelated to the technical and scientific field use an imprecise terminology that leads to confusion. Esotericism tries and respects the originality and the characteristics of each reality it gets in relation with, by taking care of the property of words and the exactness of meanings. Esotericism is a method of research used to distinguish the different aspects of abstract concepts such as appearance and essence, viz. interior or exterior, active or passive. |
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