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ART&ESOTERICISM > The Beauty in the eyes
by (197 reads) |  An objective truth or reality (Kant’s ding an sich) is based on three requirements: Fairness, Beauty and Harmony. The architectonics of the Idea originates from this One but Trine order. And only the Idea expresses the rest.
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ART&ESOTERICISM > Considerations and self-criticism
by (345 reads) | Talent, when present, appears in a rough and not precious form at first. For this reason it is recognizable only by people gifted with a particular sensitiveness able to identify it, like dogs with truffles.
To make it grow we need practice and self-criticism. Here we have three categories.
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ART&ESOTERICISM > The sense of vision in the hermetic poetry of William Blake
by (405 reads) | Until not long ago, William Blake was considered a great visionary poet as well as an eccentric rebel. Literary critics agreed in finding in his poetry the thread that joined him to the great English romantic poets such as Byron, Shelley and Keats; this made Blake a pre-romantic forerunner or even one of the first exponents of this current. After all, it was a time when poets started a journey that would lead to the enclosure of the Ego in one’s own inner lyricism. A nonconformist lifestyle and the paroxysm of certain visions didn’t stir any sensation; emphasis was normality and the reflection of the spirit of the time, surely not an exception. Nevertheless, in the twentieth century a parallel – rather than alternative - interpretation started developing; it saw in the Blakean poetry not only the germs of the ‘poetizing self’ that would flourish in the nineteenth century, but also a reference to suggestions belonging to the world of arcane.
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ART&ESOTERICISM > Use of the pictorial language
by (302 reads) | With the progress of literal languages, the meanings of ideograms (symbols-thoughts) were forgotten and symbols became silent. All that was left was their exterior forms, whose meanings remained within the principles of initiatory science.
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ART&ESOTERICISM > Education to see
by (375 reads) | I don’t believe into supremacy of the knowledge belonging to the old times. I recognize that some of ‘Them’ were able to point out paths whose accesses (mind and conscience) would be difficult to find today, because of the pile of ideologies covering them. The sequence of development of knowledge advanced with time, developing the original ideas, enriching them with new details and multiplying their relations. In actual fact they were made bigger and deeper. Generally speaking, though, we can’t deny the extraordinary ability of the human being to get ‘mixed up’ in his own words.
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ART&ESOTERICISM > Art & Esotericism Art and artistic action in everyday life
by (262 reads) | Many people experience the feeling that a work of art channels and irradiates the energies, the love for the work, the goals, the intentions and intuitions of the artist.
It is as if these elements were kept in the work of art; whoever is in tune with it can perceive its vibrations. From this apparently ordinary experience was born this short reflection on the sense of art and the energy it symbolizes and evokes, purifying its debris; it can infuse praxis and effectiveness in those who can transmute them.
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ART&ESOTERICISM > Art & Esotericism Evolution of the formal language
by (313 reads) | It is certain that one of the characteristics of human language is that it transforms as time goes by; to follow its historical changes, though, is not sufficient to set up a definitive study. Psychology is not enough either to establish the historical principles of language.
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ART&ESOTERICISM > Art & Esotericism Initiatory languages
by (332 reads) | « …there was, we were told, in every country deserving to be called civilized, an esoterical Doctrine, a system called Wisdom and those who dedicated themselves to its study and its teaching were called Wise men…»
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11 Stories (2 Pages, 10 Per Page)
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