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------| Carry the Teaching to the crossroad! || The Warrior unchanged in joy and in suffering || Happiness, the negation of suffering || Suffering in the initiatory Teaching || The Journey through the Great Work /2.5 || World of Noise – World of Silence || The Heroic Path || The inner disciple || Imago Templi / 6.17 |------
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Freemasonry > ThreeMagisterialArts: Ars Muratoria - «Architectonic tables» of the Great Builders
by (4769 reads)
FreemasonryThe work of art is the symbol of the artist; the sacred Work is the symbol of great Builders. Among the great works, perhaps architecture is the Art which has best represented sacredness; it has built spaces where purity of forms has inspired thinkers, artists and ordinary people.

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Freemasonry > ThreeMagisterialArts: Ars Muratoria, Ars Regia and Ars pontificia
by (4636 reads)
FreemasonrySince ancient times, building ‘immaterial bridges’ has been the fundament of mysteric science, which finds its highest expression in hiero-inspiration. The term Hierophant comes from this; it indicates the initiator that became ‘bridge’ and transmitted to the postulant the ‘knowledge’ of which he was the ‘Chalice’. Holy inspiration was a prerogative of Hierophants; it consists of receiving ideas from the ‘divine’ plane. Plato called this dimension ‘hyperuranium’ (plane of archetypical ideas).

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Freemasonry > ThreeMagisterialArts: The two faces of Masonry
by (2125 reads)
FreemasonryWhy isn’t the true initiate scared of death? Why doesn’t he acknowledge its irreversibility? Because through three initiatory Arts, Ars Muratoria, Ars Regia and Ars Pontificia, the adept reaches and understands the immortal spirit of his interior aspects.

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